Anton Chekhov

Chekhov renounced the theatre after the reception of ''The Seagull'' in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's ''Uncle Vanya'' and premiered his last two plays, ''Three Sisters'' and ''The Cherry Orchard''. These four works present a challenge to the acting ensemble}} as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text."}} The plays that Chekhov wrote were not complex, but easy to follow, and created a somewhat haunting atmosphere for the audience.
Chekhov began writing stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story.}} He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. Provided by Wikipedia
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161by Chekhov, Anton Pavlovich, 1860-1904
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169by Chekhov, Anton Pavlovich, 1860-1904
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170by Chekhov, Anton Pavlovich, 1860-1904
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172by Chekhov, Anton Pavlovich, 1860-1904
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173by Chekhov, Anton Pavlovich, 1860-1904
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174by Chekhov, Anton Pavlovich, 1860-1904
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175by Chekhov, Anton Pavlovich, 1860-1904
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176by Chekhov, Anton Pavlovich, 1860-1904
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177Anton Chekhov i ego kritik Mikhail Menʹshikov : perepiska, dnevniki, vospominanii︠a︡, statʹi /Антон Чехов и его критик Михаил Меньшиков : переписка, дневники, воспоминания, статьи /by Chekhov, Anton Pavlovich, 1860-1904
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178by Chekhov, Anton Pavlovich, 1860-1904Other Authors: “...Chekhov, Anton Pavlovich, 1860-1904...”
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179by Chekhov, Anton Pavlovich, 1860-1904
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180by Chekhov, Anton Pavlovich, 1860-1904
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