Table of Contents:
  • Introduction : narrative, sexuality, race, and the self
  • Querying postcolonial and borderland queer theory
  • John Rechy's bending of brown and white canons
  • Arturo Islas's and Richard Rodriguez's ethnosexual re-architexturing of metropolitan space
  • Ana Castillo's and Sheila Ortiz Taylor's bent Chicana textualities
  • Edward J. Olmos's postcolonial penalizings of the film-image repertoire
  • Conclusion : re-visioning Chicano/a bodies and texts.