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|a 9781442642416
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|a PR525 M24
|b G84 2012
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|2 23
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|a PR525.M24
|b G84 2012
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| 100 |
1 |
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|a Guenther, Genevieve.
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| 245 |
1 |
0 |
|a Magical imaginations :
|b instrumental aesthetics in the English Renaissance /
|c Genevieve Juliette Guenther.
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| 264 |
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1 |
|a Toronto ;
|a Buffalo :
|b University of Toronto Press,
|c [2012]
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| 264 |
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4 |
|c ©2012
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| 300 |
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|a x, 169 pages ;
|c 24 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Conjuration and the defense of poesy -- The demonology of Spenserian discipline -- Why devils came when Faustus called them -- The end of magic: instrumental aesthetics in The Tempest -- Epilogue (Kant's charm).
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| 520 |
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|a Through analyses of texts ranging from sermons and theological treatises to medical tracts and legal documents, Genevieve Guenther sheds new light on magic as a cultural practice in early modern England. She demonstrates that magic was a highly pragmatic, even cynical endeavor infiltrating unexpected spheres, including Elizabethan taxation policy and Jacobean political philosophy. With this new understanding of early modern magic, and a fresh context for compelling readings of classic literary works, Magical Imaginations reveals the central importance of magic to English literary history.
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| 650 |
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|a English poetry
|y Early modern, 1500-1700
|x History and criticism.
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| 650 |
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0 |
|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism.
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| 650 |
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0 |
|a Magic in literature.
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| 650 |
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0 |
|a Aesthetics in literature.
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| 945 |
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|a PromptCat
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| 948 |
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|a cataloged
|b h
|c 2012/4/4
|d c
|e dmitchel
|f 9:10:20 am
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| 994 |
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|b TXA
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| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PR525.M24 G84 2012
|h Library of Congress classification
|i unmediated -- volume
|m A14840505128
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| 998 |
f |
f |
|a PR525.M24 G84 2012
|t 0
|l Evans: Library Stacks
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