Table of Contents:
  • Overture: Maghrebi women's transvergent cinema
  • Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
  • Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
  • Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
  • Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
  • Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
  • From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
  • Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
  • Coda.