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|b J25 2015
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|a 791.43/6164
|2 23
|
| 100 |
1 |
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|a Jackson, Kimberly,
|d 1975-
|e author.
|0 http://id.loc.gov/authorities/names/n2013030920
|
| 245 |
1 |
0 |
|a Gender and the nuclear family in twenty-first century horror /
|c Kimberly Jackson.
|
| 264 |
|
1 |
|a Houndmills, Basingstoke, Hampshire ;
|a New York, NY :
|b Palgrave Macmillan,
|c 2016.
|
| 264 |
|
4 |
|c ©2016
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| 300 |
|
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|a 218 pages :
|b illustrations ;
|c 23 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
|
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|a Includes bibliographical references (pages 197-203), filmography (pages 205-207), and index.
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| 505 |
0 |
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|a Introduction: the "post"- era: defining post-patriarchy and post-feminism -- Impossible womanhood and post-feminist hegemony in Bertino's The strangers and Peirce's Carrie -- Like son, like father: tracing the male possession narrative through Shyamalan's The sixth sense, Koepp's Stir of echoes and Wan's Insidious and Insidious:chapter 2 -- Family horror, media saturation, and the phenomenon of true crime in Derrickson's Sinister -- Returning to the archaic mother: Collet-Serra's Orphan, Muschietti's Mama, and Flanagan's Oculus -- Conclusion.
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| 650 |
|
0 |
|a Horror films
|z United States
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2008105770
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| 650 |
|
0 |
|a Motion pictures
|x History
|y 21st century.
|
| 650 |
|
0 |
|a Families in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh87004820
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| 650 |
|
0 |
|a Sex role in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh89005585
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|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PN1995.9.H6 J25 2015
|h Library of Congress classification
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| 998 |
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