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|a 014663074
|2 Uk
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|a 9781932907490
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|a 1932907491
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|a (OCoLC)ocn221141535
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| 035 |
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|a (OCoLC)221141535
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|a DLC
|b eng
|c DLC
|d YDX
|d BTCTA
|d BAKER
|d UKM
|d VP@
|d YDXCP
|d HEBIS
|d OCLCQ
|d IUL
|d OMB
|d SGB
|d BDX
|d GTA
|d OCLCF
|d OCLCQ
|d TXA
|d UtOrBLW
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| 049 |
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|a TXAM
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| 050 |
0 |
4 |
|a NC1765
|b .B47 2008
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| 082 |
0 |
0 |
|a 791.43/34
|2 22
|
| 100 |
1 |
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|a Besen, Ellen,
|d 1953-
|0 http://id.loc.gov/authorities/names/n2008036180
|
| 245 |
1 |
0 |
|a Animation unleashed :
|b 100 principles every animator, comic book writer, filmmaker, video artist, and game developer should know /
|c Ellen Besen ; illustrated by Bryce Hallett.
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| 264 |
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1 |
|a Studio City, Calif. :
|b Michael Wiese Productions,
|c [2008]
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| 264 |
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4 |
|c ©2008
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| 300 |
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|a ix, 245 pages :
|b illustrations ;
|c 19 x 28 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 228-231) and index.
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| 505 |
0 |
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|a Part I. General principles : Analogy : Analogy as foundation ; The analogy equation -- Caricature : Simplify and exaggerate ; Caricature in animation -- Movement : Animation and movement-based communication ; Making movement matter -- Fantasy : Animation has no limits ; Building fantasy into your film -- Reality : Creating a universe ; Making your universe real -- Control : The frame as the smallest unit of animation ; Making every element count -- Part II. Principles for production : Ideas, scripts, and storyboards : Uncovering core ideas ; Developing core ideas ; The animated script ; The storyboard as blueprint -- Character : Anything can be a character ; Building distinctive characters ; Expressing personality ; Character design and style Character design and movement ; Human characters ; Animal characters ; Object characters ; Imaginary characters -- Animation film structure : Structure and meaning ; Framing ; Camera moves ; Editing ; Alternative structure -- Sound : Synched sound ; Dialogue ; Narration ; Character voices ; Sound effects: realistic vs. stylized ; The role of music ; Off-screen sound ; Silence -- Animation technique : Realistic animation vs. stylized ; Full animation vs. limited ; Straight-ahead animation vs. pose to pose ; Stretch and squash ; Anticipation ; Overlapping action and follow through ; Speed lines ; Lip synch ; Animated thought -- Performance : Silhouettes ; Breaking out of the boundaries of realistic performance ; Gesture and dialogue ; Use of props ; Working with non-human characters ; Character interaction -- Timing : Timing and action ; Varying the pace ; Effective pauses ; Timing and mood ; Timing and rhythm structure -- Backgrounds : Backgrounds and meaning ; Backgrounds and mood ; Backgrounds and character design ; Backgrounds and performance ; Placement of elements -- Special effects : Special effects: realistic vs. stylized ; How special effects and characters interact ; Fire ; Explosions ; Wind and tornadoes ; Water and tidal waves ; Rain ; Shadows -- Abstract and non-narrative animation : Abstract and non-narrative animation and analogy ; Abstract and non-narrative continuity -- Titles and credits : Credit sequences as part of your film making credits readable.
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| 520 |
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|a Animation never ceases to make earth shattering leaps and breakthroughs. From the flat world of Mickey Mouse to the 3-D universe of WALL-E, the possibilities are truly endless. As a powerful communication tool in all kinds of media- from TV series to feature, web animation to computer game- animation's potential is undeniable. This mind-expanding text/reference guide reveals key principles that can immediately be put to use by both animation professionals and beginners, as it puts the full power of this medium at your fingertips. -- from Back Cover.
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| 650 |
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0 |
|a Drawing
|x Technique.
|0 http://id.loc.gov/authorities/subjects/sh85039423
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| 650 |
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0 |
|a Animation (Cinematography)
|0 http://id.loc.gov/authorities/subjects/sh85005291
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| 650 |
|
7 |
|a Animation (Cinematography)
|2 fast
|0 (OCoLC)fst00809628
|
| 650 |
|
7 |
|a Drawing
|x Technique.
|2 fast
|0 (OCoLC)fst00897757
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| 650 |
0 |
7 |
|a Zeichentrickfilm.
|2 swd
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| 700 |
1 |
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|a Hallett, Bryce,
|e illustrator.
|0 http://id.loc.gov/authorities/names/n2002093073
|
| 994 |
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|a C0
|b TXA
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| 948 |
|
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|a cataloged
|b h
|c 2016/8/10
|d c
|e jlanham
|f 12:16:39 pm
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| 999 |
f |
f |
|s 53695346-0c8d-3052-a08f-6d87155ba348
|i 77b25635-bdb9-3425-a2a8-f31cfd3d8c65
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e NC1765 .B47 2008
|h Library of Congress classification
|i unmediated -- volume
|m A14843670556
|
| 998 |
f |
f |
|a NC1765 .B47 2008
|t 0
|l Evans: Library Stacks
|