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20180214135946.0 |
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160413s2017 mnu 000 0 eng |
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|a 2016938845
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|a 9781555977672 (pbk. : alk. paper)
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|a 1555977677 (pbk. : alk. paper)
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|a 40027521421
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|a (OCoLC)ocn946693814
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| 035 |
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|a (OCoLC)946693814
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| 037 |
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|b Farrar Straus & Giroux, C/O Mps 16365 James Madison Hwy, Gordonsville, VA, USA, 22942, (540)6727600
|n SAN 631-5011
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| 040 |
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|a DLC
|b eng
|e rda
|c DLC
|d YDXCP
|d BTCTA
|d BDX
|d CPL
|d CQU
|d OCLCF
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|d QS5
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|a pcc
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|a TXAM
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|a PS3612.O526
|b A6 2017
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|c (3
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|a 811/.6
|2 23
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| 100 |
1 |
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|a Long Soldier, Layli,
|e author.
|0 http://id.loc.gov/authorities/names/n2017041897
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| 240 |
1 |
0 |
|a Poems.
|k Selections
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| 245 |
1 |
0 |
|a Whereas /
|c Layli Long Soldier.
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| 264 |
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1 |
|a Minneapolis, Minnesota :
|b Graywolf Press,
|c [2017]
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| 300 |
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|a 101 pages ;
|c 23 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references.
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| 505 |
0 |
0 |
|g Part I:
|t These being the concerns --
|t H̆e Sa̕pa --
|t Look --
|t Diction --
|t Vaporative --
|t Head count --
|t Steady Summer --
|t To̕kȟaȟ a̓n --
|t Dilate --
|t Left --
|t Wakh̆a̓lyapi --
|t Talent --
|t Let --
|t Wah̆pa̓niča --
|t Irony --
|t We --
|t Edge --
|t 38 --
|g Part II:
|g (1)
|t Whereas statements --
|g (2)
|t Resolutions --
|g (3)
|t Disclaimer.
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| 520 |
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|a This volume confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through an array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created an innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation -- and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live."
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| 650 |
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|a Indian women
|v Poetry.
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| 650 |
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0 |
|a Oglala Indians
|v Poetry.
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| 650 |
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4 |
|a American poetry
|y 21st century.
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| 650 |
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4 |
|a Poetry.
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| 650 |
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4 |
|a Native Americans
|z North America
|x Poetry.
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| 650 |
|
7 |
|a Indian women.
|2 fast
|0 (OCoLC)fst00969245
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| 650 |
|
7 |
|a Oglala Indians.
|2 fast
|0 (OCoLC)fst01044467
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| 655 |
|
7 |
|a Poetry.
|2 fast
|0 (OCoLC)fst01423828
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| 655 |
|
7 |
|a Poetry.
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026481
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| 880 |
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|6 520-00
|a WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "ة ف،ٍ" ٱوم ىْمٰٱ، "ف كىىٰ"م َنُ وٰم صىَمٰل سفٰمٰٱ فلَ ف َممٌٌَُْل مٍقٍم ْنُ وٰم دهفٌفٌ سىُ٬ شىْقم، مٍفىَهَ ة ف ٍف كىىٰ"م َنُ وٰم دهفٌفٌ جففًُٰ خفىٰ--فَُلَ ى َوٰىٱ لف ٌكىىٰ"مٱَوى ِة ٍٱ ٰ،ًُْ ة ٍٱ ٰمف،ٰ ة ٍٱ ٰف،ْٰ ة ٍٱ ٰوٍُٰم،ْ ة ٍٱ ٰنىْملَ، ة ٍٱ ٰىٌٱمٰ،َ ة ٍٱ ٰقُٱمْم، كٱَُفٰ"ٌَٰ ة ٍٱ ٰىٌم." شوىٱ ٱىْٰلم،َٰ فٌِىىَٰم ق ًُُىلَُْٰكمٱ ف فٍي ُْمَىُكم ى َكمَُٰفٍُِْ"ْ ىٌمٰفْٰمْ. -- ذُْىلمل ق" ِقىٌٱوم.ْ
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| 945 |
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|b 316105
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| 947 |
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|a A14850250011
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| 994 |
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|a 92
|b TXA
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| 948 |
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|a Cataloged
|b h
|c 2017/11/16
|d c
|e CFlores
|f 2:33:23 PM
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| 999 |
f |
f |
|s 2cd53766-cd36-3ad7-b667-7c307f1bf1be
|i 61a8cfc8-89c6-30a9-8081-e1e0bf427d01
|t 0
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| 952 |
f |
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|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PS3612.O526 A6 2017
|h Library of Congress classification
|i unmediated -- volume
|m A14850250011
|
| 998 |
f |
f |
|a PS3612.O526 A6 2017
|t 0
|l Evans: Library Stacks
|