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|a 880.09
|2 23
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|a Reception and the classics /
|c edited for the Department of Classics by William Brockliss [and others].
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| 264 |
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|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 2012.
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| 300 |
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|a x, 188 pages ;
|c 24 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
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1 |
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|a Yale classical studies ;
|v v. 36
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|a Includes bibliographical references (pages 174-185) and index.
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|a Introduction -- Part I, Reception between transmission and philology: "Arouse the dead": Mai, Leopardi, and Cicero's commonwealth in Restoration Italy / James Zetzel -- Honor culture, praise, and Servius' Aeneid / Robert Kaster -- 4. Joyce and modernist Latinity / Joseph Farrell -- 5. Lyricus vates : musical settings of Horace's Odes / Richard Tarrant -- Part II, Reception as self-fashioning: Petrarch's epistolary epic : Letters on familiar matters (Rerum familiarium libri) / Giuseppe Mazzotta -- 7. The first British Aeneid : a case study in reception / Emily Wilson -- 8. Ovid's witchcraft / Gordon Braden -- 9. The streets of Rome : the classical Dylan / Richard F. Thomas -- Part III, Envoi: Reception and the classics / Christopher S. Wood.
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| 520 |
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|a This volume collects the majority of papers given at a conference held at Yale University in 2007. That conference, also entitled Reception and the Classics, sought to define and articulate the particular role of Classics and classicists in the project of Reception Studies. The field of Reception Studies ranges over a vast stretch of time and material, from classical antiquity to the present day, from literature to art, music and film. It is thus an inherently interdisciplinary field in its encompassing of a great variety of departments and disciplines, each with its own canons, practices and shared working assumptions. This interdisciplinary practice has formed the intellectual foundation for the present collection: although Reception Studies as a field has grown in scope and energy between conference and publication, we feel that the question of where Classics stands in relation to its peer disciplines remains alive and crucial.
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|a Classicism
|v Congresses.
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| 650 |
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|a Reader-response criticism
|v Congresses.
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| 650 |
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|a Literature
|v Congresses.
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|a Music
|v Congresses.
|0 http://id.loc.gov/authorities/subjects/sh2010102801
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|a Motion pictures
|v Congresses.
|0 http://id.loc.gov/authorities/subjects/sh2008108018
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| 650 |
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7 |
|a LITERARY COLLECTIONS
|x Ancient, Classical & Medieval.
|2 bisacsh
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| 700 |
1 |
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|a Brockliss, William.
|0 http://id.loc.gov/authorities/names/n2011052462
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| 711 |
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|a Reception and the classics
|d (2007 :
|c Yale University)
|0 http://id.loc.gov/authorities/names/n2011059730
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| 830 |
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|a Yale classical studies ;
|v v. 36.
|0 http://id.loc.gov/authorities/names/n42742204
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|c Sterling C. Evans Library
|d Evans: Library Stacks
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