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|a (OCoLC)on1013957864
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|a DEGRU
|b eng
|e rda
|c DEGRU
|d OAPEN
|d OCLCQ
|d DEGRU
|d COO
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|a 1065950853
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|a 1035815856
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|a 9783839429549
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|a 9783837629545
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|a 10.14361/9783839429549
|2 doi
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| 035 |
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|a (OCoLC)1013957864
|z (OCoLC)1035815856
|
| 050 |
0 |
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|a TR147
|b .S395 2016
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| 072 |
|
7 |
|a ART009000
|2 bisacsh
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| 072 |
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|a PHO005000
|2 bisacsh
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|a SOC052000
|2 bisacsh
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|a TR
|2 lcco
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|a 300
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| 049 |
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|a TXAM
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| 100 |
1 |
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|a Schwärzler, Monika,
|e author.
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| 245 |
1 |
0 |
|a At Face Value and Beyond :
|b Photographic Constructions of Reality /
|c Monika Schwärzler.
|
| 250 |
|
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|a 1. Aufl.
|
| 264 |
|
1 |
|a Bielefeld :
|b Transcript-Verlag,
|c [2016]
|
| 264 |
|
4 |
|c ©2016
|
| 300 |
|
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|a 1 online resource.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
|
| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
|
| 347 |
|
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|a text file
|b PDF
|2 rda
|
| 490 |
1 |
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|a Image ;
|v volume 75
|
| 505 |
0 |
0 |
|t Frontmatter --
|t Acknowledgment --
|t Inhalt --
|t Introductory Remarks --
|t Conscious and Semi-Conscious States of the Camera: Comments on a History of Photographic Parapraxes --
|t Dressed to Suffer and Redeem: Staged Photography Featuring Biblical Narratives --
|t Blocked View and Impeded Vision: An Affective Response to the Photographs of Maria Hahnenkamp and Thomas Struth --
|t Unedited Glamor: The Vienna Opera Ball and Its Rendition by Network Cameras --
|t Lost in Pleasure: Mad Joy in Images of Youth Culture --
|t Death Can Wait: Images of Old Age and Dying in Austrian Hospice Campaigns --
|t "The Beast": On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Center in Geneva --
|t Denigrative Views: On the Deconstruction of Visages in Print Media --
|t The White Handbag: Photography and Ownership --
|t References.
|
| 520 |
|
|
|a How to account for the peculiar attraction of certain photos? How to pinpoint the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis, as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.
|
| 546 |
|
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|a In English.
|
| 588 |
0 |
|
|a Online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016).
|
| 504 |
|
|
|a Includes bibliographical references (pages 181-187).
|
| 650 |
|
7 |
|a Media studies.
|2 bicssc
|
| 650 |
|
7 |
|a Society and culture: general.
|2 bicssc
|
| 650 |
|
7 |
|a Society and social sciences Society and social sciences.
|2 bicssc
|
| 650 |
|
4 |
|a Fine Arts.
|
| 650 |
|
4 |
|a Image.
|
| 650 |
|
4 |
|a Imagery.
|
| 650 |
|
4 |
|a Media.
|
| 650 |
|
4 |
|a Photography.
|
| 650 |
|
4 |
|a Visual Culture.
|
| 650 |
|
4 |
|a Visual Literacy.
|
| 650 |
|
4 |
|a Visual Studies.
|
| 650 |
|
0 |
|a Photography
|x Appreciation.
|
| 650 |
|
0 |
|a Visual communication in art.
|
| 650 |
|
0 |
|a Photography, Artistic.
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 710 |
2 |
|
|a JSTOR (Organization)
|
| 830 |
|
0 |
|a Image (Transcript (Firm)) ;
|v v. 75.
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=http://www.jstor.org/stable/10.2307/j.ctv1wxsf6
|z Connect to the full text of this electronic book
|t 0
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|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
|t 0
|e TR147 .S395 2016
|h Library of Congress classification
|
| 998 |
f |
f |
|a TR147 .S395 2016
|t 0
|l Available Online
|