Making waves : crosscurrents in the study of nineteenth-century art : essays in honour of Petra ten-Doesschate Chu /

Making Waves: Crosscurrents in the Study of Nineteenth-Century Art points the way toward futher appreciation and understanding of an era that still resonates strongly in our contemporary culture.00Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-D...

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Bibliographic Details
Other Authors: Dixon, Laurinda S. (Editor), Weisberg, Gabriel P. (Editor), Chu, Petra ten-Doesschate (honouree.)
Format: Book
Language:English
Published: Turnhout, Belgium : Brepols, [2019]
Series:XIX. Studies in nineteenth-century art and visual culture
Subjects:

MARC

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264 1 |a Turnhout, Belgium :  |b Brepols,  |c [2019] 
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300 |a 277 pages :  |b illustrations (chiefly color), facsimiles, portraits ;  |c 29 cm 
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490 0 |a XIX. Studies in nineteenth-century art and visual culture 
504 |a Includes bibliographical references. 
520 8 |a Making Waves: Crosscurrents in the Study of Nineteenth-Century Art points the way toward futher appreciation and understanding of an era that still resonates strongly in our contemporary culture.00Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-Doesschate Chu, who continues to lead the field in the study of the art of the nineteenth century. The twenty-eight essays in this book are authored by some of her many friends, students, and colleagues, including seasoned academics and those at the beginning of their careers; museum professionals and private-sector arts administrators; and American, European, and Chinese scholars. Following Petra Chu?s example, and avoiding opaque theoretical language and extended technical analysis, authors present original ideas, based primarily on the study of objects and their documented historical contexts. Though their methodologies are diverse, their purposes are clear and their language straight-forward. The essays thoughtfully and respectfully address the solid reality of the nineteenth century in all of its complex (and sometimes repugnant) sensibilities. They disrupt traditional art historical categories and methodologies, and highlight topics that have been long ignored and overlooked. Making Waves demonstrates, in no uncertain terms, that art historians still have much to say to each other and to their readers, and that nineteenth-century art has only begun to be explored in all its complexity and variety.00Laurinda S. Dixon is Professor Emerita of Art History at Syracuse University, New York. Her scholarship considers the intersection of art and science- particularly alchemy, herbalism, medicine, astrology, and music- from the fifteenth through the nineteenth centuries. She is the author of many articles, book chapters, and ten books. 
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700 1 |a Dixon, Laurinda S.,  |e editor. 
700 1 |a Weisberg, Gabriel P.,  |e editor. 
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852 8 |b pda,print  |z This book is available in print for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item will take 5-10 business days to arrive. 
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