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190924s2019 gw a bc 000 0 eng d |
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20230315212632.2 |
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|a (OCoLC)on1120692241
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|a in00004163721
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|a (OCoLC)1120692241
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|a YDX
|b eng
|e rda
|c YDX
|d CIA
|d OCLCO
|d OCLCF
|d CUY
|d TEU
|d OCLCO
|d YDXIT
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| 020 |
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|a 9783735605900
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| 020 |
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|a 3735605907
|q paperback
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|a N6488.5.F58
|b L63 2019
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0 |
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|a 709.04
|2 23
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| 245 |
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|a Local histories :
|b works from the Friedrich Christian Flick Collection at Hamburger Bahnhof, the Nationalgalerie Collection and loans /
|c edited by Matilda Felix.
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| 264 |
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1 |
|a Bielefeld, Germany :
|b Kerber Verlag,
|c [2019]
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| 300 |
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|a 183 pages :
|b illustrations (some color) ;
|c 30 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 336 |
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|a still image
|b sti
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Kerber art
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| 518 |
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|o Local histories: works from the Friedrich Christian Flick Collection at Hamburger Bahnhof, the Nationalgalerie Collection and loans :
|d 2018 December 15 - 2019 November 10,
|p Hamburger Bahnhof -- Museum für Gegenwart -- Berlin.
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| 500 |
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|a Includes work by artists: Josef Albers, Carl Andre, Bernd and Hilla Becher, Lee Bontecou, George Brecht, John Chamberlain, Hanne Darboven, Dan Flavin, Isa Genzken, Jenny Holzer, Richard Jackson, Donald Judd, Allan Kaprow, Manfred Kuttner, Barbara Kruger, Louise Lawler, Sol LeWitt, Walter De Maria, Paul McCarthy, Robert Morris, Bruce Nauman, Sigmar Polke, Charlotte Posenenske, Timm Rautert, Jason Rhoades, Gerhard Richter, George Segal, Cindy Sherman, Tony Smith, Robert Smithson, Frank Stella, Wolfgang Tillmans, Rirkrit Tiravanija, Rosemarie Trockel, and Lawrence Weiner.
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| 505 |
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|g Foreword /
|r Udo Kittelmann and Gabriele Knapstein --
|g Installation views --
|t Local histories: scenes from an exhibition /
|r Matilda Felix --
|t Local history /
|r Donald Judd --
|t Locality as a frame of reference: on the new relationship between text, image and object in American art of the 1960s /
|r Dorothee Wagner --
|g Installation views --
|t Fischer' nets: local and international networks of exhibitions by Konrad Fischer as of the 1960s /
|r Brigitte Kölle --
|t Liza Béar and Willoughby Sharp in conversation with Bruce Nauman --
|g Installation views --
|t Dream of Californication: Paul McCarthy, Jason Rhoades, Richard Jackson--a local history? /
|r Catherine Nichols --
|t Hedonism and architecture: Isa Genzken in New York and Berlin /
|r Diedrich Diederichsen --
|g Installation views --
|t As you know, we would like to make an exhibition: a conversation with Monika Sprüth on Eau de Cologne /
|r Matilda Felix --
|t Is this all there is to life? Rirkrit Tiravanija's transnational networks /
|r Irina Hiebert Grun --
|t Forget about the ball and get on with the game /
|r Liam Gillick and Rirkrit Tiravanija --
|g Installation views.
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| 520 |
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|a "'The history of art and art's condition at any time are pretty messy', Donald Judd wrote in 1964 in an article on the New York art scene. In this piece Judd opposed traditional differentiations of style and genre, instead advocating a more casual encounter with works of art. His analysis of the local art scene is the starting point for an experiment that takes works from the Friedrich Christian Flick Collection and the Collection of the Nationalgalerie - enhanced by selected loans - and resituates them within the context of their making. The sometimes new juxtapositions of works not only reveal friendships and networks but also introduce shared themes and collaborative projects. What art was formative for Donald Judd? What links Konrad Lueg, Sigmar Polke and Gerhard Richter? Which galleries supported Bruce Nauman or Jenny Holzer in their early years? How does Rirkrit Tiravanija make networking itself an artistic practice? Occasionally unusual constellations provide snapshots of New York and Düsseldorf in the 1960s and 1970s, Cologne in the 1980s, Berlin and Los Angeles in the 1990s."--Page 4 of cover.
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| 610 |
2 |
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|a Friedrich Christian Flick Collection
|v Exhibitions.
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| 610 |
2 |
0 |
|a Sammlung Berggruen
|v Exhibitions.
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| 610 |
2 |
7 |
|a Friedrich Christian Flick Collection.
|2 fast
|0 (OCoLC)fst01429711
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| 610 |
2 |
7 |
|a Sammlung Berggruen.
|2 fast
|0 (OCoLC)fst00743197
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| 650 |
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0 |
|a Art, Modern
|y 20th century
|v Exhibitions.
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| 650 |
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0 |
|a Art, Modern
|y 21st century
|v Exhibitions.
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| 650 |
|
7 |
|a Art, Modern.
|2 fast
|0 (OCoLC)fst00816615
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| 648 |
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7 |
|a 1900-2099
|2 fast
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| 655 |
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7 |
|a Exhibition catalogs.
|2 fast
|0 (OCoLC)fst01424028
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| 655 |
|
7 |
|a Exhibition catalogs.
|2 lcgft
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| 700 |
1 |
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|a Felix, Matilda,
|e editor.
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| 710 |
2 |
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|a Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart--Berlin,
|e host institution.
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| 830 |
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0 |
|a Kerber art.
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| 852 |
8 |
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|b pda,print
|z This book is available in print for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item will take 5-10 business days to arrive.
|
| 955 |
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|a Print PDA title
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| 999 |
f |
f |
|s c921849a-250d-4ab3-a9de-fb52c1775e6f
|i fe2b235a-0355-38b2-914b-8238cc54ac6e
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Purchase on Demand
|t 0
|e N6488.5.F58 L63 2019
|h Library of Congress classification
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| 998 |
f |
f |
|a N6488.5.F58 L63 2019
|t 0
|l Purchase on Demand
|