Tacit knowledge - post studio ; Tacit knowledge - feminism : California Institute of the Arts 1970-77 /
'Tacit Knowledge' provides an insight into the complex artistic and educational practices that characterized the first decade of the California Institute of the Arts (CalArts). There is a special focus on the conceptual and feminist strategies developed in and from John Baldessari's P...
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| Format: | Book |
| Language: | English |
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Leipzig :
Spector Books,
2019.
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| Edition: | First edition. |
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Table of Contents:
- Post Studio. Note by the editor ; Statements
- Interview: With Verena Kittel & Annette Jael Lehmann
- Case study: Education: in and out of the classroom
- Document: Paulo Freire : Pedagogy of the oppressed
- Document: The CalArts story, Walt Disney Productions
- Case study: Movements of the L.A. art scene in the 1960s
- Document: Peter Plagens : Reviews of West Coast art exhibitions
- Case study: I will not make any more boring art: prehistory
- Document: CalArts bulletin
- Briefing: The shift from radical pedagogy: conceptual and structural upheavals
- Case study: John Baldessari and the dissolution of the teacher-student relationship
- Document: John Baldessari : CalArts Post-Studio art: class assignments (Optional)
- Briefing: I think that's the closest you get : John Baldessari's assignments
- Document: Michael Polanyi : The tacit dimension
- Case study: John Baldessari throwing three balls in the air to get a straight line and other works from the 1970s
- Case study: Unrealized projects
- Biography: Alison Knowles
- Biography: Barbara Bloom
- Case study: A situation where art might happen
- Biography: Wolfgang Stoerchle
- Biography: Matt Mullican
- Case study: Playing with words and images
- Briefing: The status of instructional letters in conceptual art
- Biography: John Baldessari
- Case study: The seriality of reenactments: I will not make any more boring art
- Biography: James Welling
- Document: Jack Goldstein : Exhibition announcement, Mizuno Gallery
- Biography: Jack Goldstein
- Briefing: How to teach your students about conceptual art
- Briefing: Delegated performances
- Briefing: I will not make any more boring art travelling and appropriation
- Briefing: Performative repetition in conceptual art
- Document: Daniel Buren : The function of the studio
- Case study: Appropriation art
- Interview: With Philipp Kaiser & Christina Végh
- Outtakes ; Endnotes ; Image rights ; Imprint
- CalArts data portraiture
- Feminism. Note by the editor ; Statements
- Briefing: The Feminist Art Program at CalArts
- Case study: Art out of experience : Judy Chicago'a assignments at the Feminist Art Programs at Fresno and CalArts
- Document: Shulamith Firestone, Anne Koedt : Notes from the second year: women's liberation major writings of the radical feminists
- Biography: Judy Chicago
- Document: Womanhouse exhibition announcements
- Biography: Nancy Youdelman
- Biography: Karen Lecocq
- Case study: Womanhouse: construction process
- Document: Paulo Freire : Pedagogy of the oppressed
- Biography: Miriam Schapiro
- Insert: Memory theater
- Interview: With Kim Albrecht & Jeffrey Schnapp
- Biography: Faith Wilding
- Document: Faith Wilding : Duration performance: the economy of feminized maintenance work
- Case study: Womanhouse: sexuality
- Case study: Womanhouse: birth and motherhood
- Case study: Womanhouse: nurturant kitchen
- Case study: Womanhouse: domesticity and privacy
- Case study: Womanhouse: Dollhouse
- Womanhouse: body & beauty
- Document: Johanna Demetrakas : Womanhouse
- Document: Cover of the first issue of Womanspace journal
- Case study: Ablutions: a collaborative performance
- Case study: Ulrike Rosenbach and the L.A. feminist art scene
- Biography: Suzanne Lacy
- Briefing: A three-week-long performance
- Case study: Three weeks in May: performances
- Briefing: Community building
- Briefing: Suzanne Lacy, Three weeks in May: She who would fly
- Case study: Three weeks in May : art in public & participation
- Briefing: Site specificity in art
- Briefing: Public art
- Briefing: Suzanne Lacy : reenactments & reception : Three weeks in January: end rape in Los Angeles
- Document: Paula Harper : The first Feminist Art Program. A view from the 1980s
- Biography: Vanalyne Green
- Document: Video and myth, exhibition at MoMA
- Briefing: Subrosa : Faith Wilding and cyberfeminism
- Briefing: The art world is part of the real world
- Document: Michael Polanyi : The tacit dimension
- Briefing: Women house : an exhibition 46 years after Womanhouse
- Document: Judith Adler : artists in offices: an ethnography of an academic art scene
- Outtakes ; Endnotes ; Image rights ; Imprint.