Table of Contents:
  • Introduction: Race, Realism, and the Problem of Literary Classification
  • The Long Hangover: Mark Twain's Pudd'nhead Wilson and the Ghosts of Slavery
  • Reimagining the Tragic Mulatta in Frances E.W. Harper's Iola Leroy
  • Racial Fictions and the Cultural Work of Genre in Charles W. Chesnutt's The House behind the Cedars
  • The Limits of Literary Realism: Pauline Hopkins's Postracial Fantasy in Of One Blood
  • Epilogue: Rethinking Blackness.