Dialectics without synthesis : Japanese film theory and realism in a global frame /

"Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Mar...

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Bibliographic Details
Main Author: Yamamoto, Naoki, 1977- (Author)
Format: Book
Language:English
Published: Oakland, California : University of California Press, [2020]
Subjects:

MARC

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100 1 |a Yamamoto, Naoki,  |d 1977-  |e author. 
245 1 0 |a Dialectics without synthesis :  |b Japanese film theory and realism in a global frame /  |c Naoki Yamamoto. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2020] 
300 |a xiii, 233 pages :  |b illustrations ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : realism, film theory, Japanese cinema -- Naturalism and the modernization of Japanese cinema -- Machine aesthetics and proletarian realism -- Literary adaptation and textual realism -- Documentary film and epistemological realism -- The neglected tradition of Bergsonism and phenomenology -- Epilogue : Hanada Kiyoteru and postwar debates. 
520 |a "Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption"--  |c Provided by publisher. 
650 0 |a Motion pictures  |z Japan  |x Philosophy  |x History  |y 20th century. 
650 0 |a Film criticism  |z Japan  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Japan  |x Aesthetics  |x History  |y 20th century. 
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650 7 |a Motion pictures  |x Aesthetics.  |2 fast  |0 (OCoLC)fst01027288 
650 7 |a Motion pictures  |x Philosophy.  |2 fast  |0 (OCoLC)fst01027348 
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852 8 |b pda,print  |z This book is available in print for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item will take 5-10 business days to arrive. 
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952 f f |a Texas A&M University  |b College Station  |c Sterling C. Evans Library  |d Purchase on Demand  |t 0  |e PN1993.5.J3 Y3736 2020  |h Library of Congress classification 
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