Hysteria, perversion, and paranoia in The Canterbury tales : "wild" analysis and the symptomatic storyteller /

Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer's Canterbury Tales, for Chaucer'...

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Bibliographic Details
Main Author: McLaughlin, Becky Renee (Author)
Format: Book
Language:English
Published: Berlin ; Boston : Walter De Gruyter, [2020]
Series:Research in medieval and early modern culture ; 25.
Studies in medieval and early modern culture ; 71.
Subjects:

MARC

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245 1 0 |a Hysteria, perversion, and paranoia in The Canterbury tales :  |b "wild" analysis and the symptomatic storyteller /  |c Becky Renee McLaughlin. 
264 1 |a Berlin ;  |a Boston :  |b Walter De Gruyter,  |c [2020] 
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300 |a viii, 295 pages ;  |c 24 cm. 
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490 1 |a Research in medieval and early modern culture ;  |v 25 
490 1 |a Studies in medieval and early modern culture ;  |v 71 
505 0 |t Introduction, or A Long Preamble to a Tale --  |t Chapter 1: The Prick of the Prioress, or Hysteria and Its Humors --  |t Chapter 2: Portrait of the Hysteric as a Young Girl --  |t Chapter 3: Masochist as Miscreant Minister: The Parable of the Pardoner's Perverse Performance --  |t Chapter 4: Confessing Animals --  |t Chapter 5: Before There Was Sade, There Was Chaucer: Sadistic Sensibility in the Tales of the Man of Law, the Clerk, and the Physician --  |t Chapter 6: Sadomasochism for (Neurotic) Dummies --  |t Chapter 7: The Reeve's Paranoid Eye, or The Dramatics of "Bleared" Sight --  |t Chapter 8: Farting and Its (Dis)contents, or Call Me Absolon --  |t Chapter 9: Retractor --  |t Bibliography --  |t Index 
504 |a Includes bibliographical references (pages [268]-280) and index. 
520 |a Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer's Canterbury Tales, for Chaucer's tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other, conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of "shadow" chapters that speak to or against the four "central" chapters, creating both dialogue and interruption. 
600 1 0 |a Chaucer, Geoffrey,  |d -1400.  |t Canterbury tales  |x Criticism and interpretation. 
650 0 |a Hysteria in literature.  |0 http://id.loc.gov/authorities/subjects/sh94004946 
650 0 |a Paraphilias in literature.  |0 http://id.loc.gov/authorities/subjects/sh85120725 
650 0 |a Paranoia in literature.  |0 http://id.loc.gov/authorities/subjects/sh94007529 
830 0 |a Research in medieval and early modern culture ;  |v 25.  |0 http://id.loc.gov/authorities/names/no2016097273 
830 0 |a Studies in medieval and early modern culture ;  |v 71.  |0 http://id.loc.gov/authorities/names/no2018052948 
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