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|a 9783030337261
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|a 10.1007/978-3-030-33726-1
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|a (DE-He213)978-3-030-33726-1
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|a Pope, Johnathan H.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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| 245 |
1 |
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|a Shakespeare's Fans :
|b Adapting the Bard in the Age of Media Fandom /
|c by Johnathan H. Pope.
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| 250 |
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|a 1st ed. 2020.
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| 264 |
|
1 |
|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2020.
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| 300 |
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|a 1 online resource (VII, 184 pages)
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| 336 |
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|a text
|b txt
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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| 347 |
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|a text file
|b PDF
|2 rda
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| 490 |
1 |
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|a Palgrave Studies in Adaptation and Visual Culture,
|x 2634-6303
|
| 505 |
0 |
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|a Introduction: Scholars and Students as Fans -- Chapter 1: Fans of Shakespeare, Fans in Shakespeare -- Chapter 2: Shakespeare, Legitimacy, and the Gift Economy -- Chapter 3: Shakespeare and Fan Fiction -- Chapter 4: Parody and Anti-Fandom: Shakespeare Meets Star Wars (and Other Fan Communities) -- Conclusion.
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| 520 |
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|a This book examines Shakespearean adaptations through the critical lens of fan studies and asks what it means to be a fan of Shakespeare in the context of contemporary media fandom. Although Shakespeare studies and fan studies have remained largely separate from one another for the past thirty years, this book establishes a sustained dialogue between the two fields. In the process, it reveals and seeks to overcome the problematic assumptions about the history of fan cultures, Shakespeare's place in that history, and how fan works are defined. While fandom is normally perceived as a recent phenomenon focused primarily on science fiction and fantasy, this book traces fans' practices back to the eighteenth century, particularly David Garrick's Shakespeare Jubilee in 1769. Shakespeare's Fans connects historical and scholarly debates over who owns Shakespeare and what constitutes an appropriate adaptation of his work to online fan fiction and commercially available fan works.
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| 650 |
|
0 |
|a Motion pictures.
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| 650 |
|
0 |
|a Literature, Modern.
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| 650 |
|
0 |
|a Shakespeare, William, 1564-1616.
|
| 650 |
1 |
4 |
|a Adaptation Studies.
|0 https://scigraph.springernature.com/ontologies/product-market-codes/413180
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| 650 |
2 |
4 |
|a Shakespeare.
|0 https://scigraph.springernature.com/ontologies/product-market-codes/817010
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a SpringerLink (Online service)
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|t Springer Nature eBook
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|i Printed edition:
|z 9783030337254
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| 776 |
0 |
8 |
|i Printed edition:
|z 9783030337278
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| 776 |
0 |
8 |
|i Printed edition:
|z 9783030337285
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| 830 |
|
0 |
|a Palgrave Studies in Adaptation and Visual Culture,
|x 2634-6303
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://doi.org/10.1007/978-3-030-33726-1
|z Connect to the full text of this electronic book
|t 0
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| 950 |
|
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|a Literature, Cultural and Media Studies (SpringerNature-41173)
|
| 950 |
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|a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
|t 0
|e PN1993-1999
|h Library of Congress classification
|
| 998 |
f |
f |
|a PN1993-1999
|t 0
|l Available Online
|