Film, cinema, genre : the Steve Neale reader /

Bibliographic Details
Main Author:	Neale, Stephen, 1950- (Author)
Other Authors:	Krutnik, Frank, 1956- (Editor), Maltby, Richard, 1952- (Editor)
Format:	Book
Language:	English
Published:	Exeter, Devon, UK : University of Exeter Press, 2021.
Series:	Exeter studies in film history.
Subjects:	Film criticism. Motion pictures > History. Motion picture industry > History. Motion picture industry. Motion pictures. History.

Table of Contents:

Machine generated contents note: Section A Beginnings
1. The Reappearance of Movie
Review in Screen, 16.3 (1975), 112
15
2. Personal Views
Review in Screen, 17.3 (1976), 118
22
3. The Invention of Cinema
Chapter 3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985)
Section B Genre(s)
4. Genre
Chapter 3 of Genre (London: British Film Institute, 1980)
5. Questions of Genre
Screen, 31.1 (1990), 45-66
6. Genre and Hollywood
Chapter 7 of Genre and Hollywood (London: Roudedge, 2000)
7. Melodrama and Tears
Screen, 27.6 (1986), 6
23
8. Aspects of Ideology and Narrative Form in the American War Film
Screen, 32.1 (1991), 33
57
Section C Interventions and Provocations
9. Art Cinema as Institution
Screen, 221 (1981), 11
40
10. Masculinity as Spectacle: Reflections on Men and Mainstream Cinema
Screen, 24.6 (1983), 2
17
11. Melo Talk: On the Meaning and Use of the Term `Melodrama' in the American Trade Press
The Velvet Light Trap, 32 (1993), 66
89
12. Hollywood Blockbusters: Historical Dimensions
Movie Blockbusters, ed. by Julian Stringer (London: Routledge, 2003), pp. 47
60
Section D Film Analysis
13. Issues of Difference: Alien and Blade Runner
Fantasy and the Cinema, ed. by James Donald (London: British Film Institute, 1989), pp. 213
23
14. Narration, Point of View and Patterns in the Soundtrack of Letter from an Unknown Woman
Style and Meaning: Essays in the Detailed Analysis of Film, ed. by John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), pp. 99
107
15. Gestures, Movements and Actions in Rio Bravo
Howard Hawks: New Perspectives, ed. by Ian Brookes (London: Palgrave/British Film Institute, 2016), pp. 110
21
16. The Art of the Palpable: Composition and Staging in the Widescreen Films of Anthony Mann
Widescreen Worldwide, ed. by John Bel ton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91
106
17. T Can't Tell Anymore Whether You're Lying': Double Indemnity, Human Desire and the Narratology of Femmes Fatales
The Femme Fatale: Images, Histories, Contexts, ed. by Helen Hanson and Catherine O'Rawe (Basingstoke: Palgrave Macmillan, 2010), pp. 187
98.