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|a 2018052480
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|a 9781138291225
|q hardcover
|q alkaline paper
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|q alkaline paper
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|q mobi
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|a (OCoLC)on1073033886
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| 040 |
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|a DLC
|e rda
|c DLC
|d UtOrBLW
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| 049 |
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|a TXAM
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| 050 |
0 |
0 |
|a PR2976
|b .D727 2019
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| 082 |
0 |
0 |
|a 822.3/3
|2 23
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| 100 |
1 |
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|a Duncan, Sophie,
|d 1987-
|e author.
|0 http://id.loc.gov/authorities/names/no2014031823
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| 245 |
1 |
0 |
|a Shakespeare's props :
|b memory and cognition /
|c Sophie Duncan.
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| 264 |
|
1 |
|a New York :
|b Routledge,
|c [2019]
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| 264 |
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4 |
|c ©2019
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| 300 |
|
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|a xiii, 277 pages :
|b illustrations ;
|c 24 cm.
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Routledge studies in Shakespeare ;
|v 36
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| 504 |
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|a Includes bibliographical references (pages 241-267) and index.
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| 505 |
0 |
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|a Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and the battle to forget -- Epilogue: the politics of props.
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| 520 |
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|a Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays, a strawberry-spotted handkerchief instantly recalls Othello, a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualize props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable and dangerously exposed extensions of his characters' minds. Recognizing them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of early modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities. While some props accrue cultural memories, others decay and are forgotten as detritus of the stage.
|
| 600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
|0 http://id.loc.gov/authorities/subjects/sh85120926
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| 600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Dramatic production.
|0 http://id.loc.gov/authorities/subjects/sh85120938
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| 650 |
|
0 |
|a Memory in literature.
|0 http://id.loc.gov/authorities/subjects/sh85083503
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| 650 |
|
0 |
|a Object (Aesthetics) in literature.
|0 http://id.loc.gov/authorities/subjects/sh2009009053
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| 650 |
|
0 |
|a Stage props.
|0 http://id.loc.gov/authorities/subjects/sh85127251
|
| 830 |
|
0 |
|a Routledge studies in Shakespeare ;
|v 36.
|0 http://id.loc.gov/authorities/names/no2009186740
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| 945 |
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|b 894533
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| 947 |
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|a A14851624909
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| 948 |
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|a cataloged
|b h
|c 2021/5/27
|d c
|e dmitchel
|f 3:10:20 pm
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| 994 |
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|a 92
|b TXA
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| 999 |
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| 952 |
f |
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|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PR2976 .D727 2019
|h Library of Congress classification
|i unmediated -- volume
|m A14851624909
|
| 998 |
f |
f |
|a PR2976 .D727 2019
|t 0
|l Evans: Library Stacks
|