Black film British cinema. II /

Black Film British Cinema II' considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering...

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Bibliographic Details
Main Author: Saha, Anamik, 1977- (Author)
Other Authors: Nwonka, Clive (Editor)
Format: Book
Language:English
Published: London : Goldsmiths Press, 2021.
Subjects:

MARC

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245 0 0 |a Black film British cinema.  |n II /  |c edited by Clive Nwonka and Anamik Saha. 
264 1 |a London :  |b Goldsmiths Press,  |c 2021. 
264 4 |c ©2021 
300 |a xix, 228 pages :  |b illustrations ;  |c 23 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 8 |a Black Film British Cinema II' considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. 
650 0 |a Blacks in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh87003518 
650 0 |a Motion pictures  |x Social aspects  |z Great Britain.  |0 http://id.loc.gov/authorities/subjects/sh2010102535 
650 0 |a Race in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh2001008935 
650 7 |a Blacks in motion pictures.  |2 fast  |0 (OCoLC)fst00834029 
650 7 |a Motion pictures  |x Social aspects.  |2 fast  |0 (OCoLC)fst01027384 
650 7 |a Race in motion pictures.  |2 fast  |0 (OCoLC)fst01086507 
651 7 |a Great Britain.  |2 fast  |0 (OCoLC)fst01204623 
700 1 |a Nwonka, Clive,  |e editor. 
700 1 |a Saha, Anamik,  |d 1977-  |e author.  |0 http://id.loc.gov/authorities/names/n2015043017 
852 8 |b pda,print  |z This book is available in print for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item will take 5-10 business days to arrive. 
955 |a Print PDA title 
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952 f f |a Texas A&M University  |b College Station  |c Sterling C. Evans Library  |d Purchase on Demand  |t 0  |e PN1995.9.N4 B53 2021  |h Library of Congress classification 
998 f f |a PN1995.9.N4 B53 2021  |t 0  |l Purchase on Demand