Words, Music, and the Popular : Global Perspectives on Intermedial Relations /

Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words...

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Bibliographic Details
Corporate Author:	SpringerLink (Online service)
Other Authors:	Gurke, Thomas (Editor), Winnett, Susan (Editor)
Format:	eBook
Language:	English
Published:	Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Edition:	1st ed. 2021.
Series:	Palgrave Studies in Music and Literature
Subjects:	Literature and technology. Mass media and literature. Popular music. Music-Philosophy and aesthetics. Audiences. Mass media and culture. Literature and Technology. Popular Music. Philosophy of Music. Fan and Audience Studies. Media Culture. Electronic books.
Online Access:	Connect to the full text of this electronic book

Table of Contents:

1: Words, Music, and the Popular
2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular
3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs
4: Freewheelin' with Adorno Down Highway 61:Bob Dylan's Transformative Electric Turn
5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press' Framing, Interpretation, and Consideration of Paul McCartney and Wings
6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges 'English England' Through the Pastoral
7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing
8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom
9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s)
10: Café-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opéra de Paris in the 1890s
11: "...the world wanted to bleed all the sass out my name": Interrogating the Popularity of Words and Music in Tyehimba Jess's Olio
12: William H. Gass and the (Un)popularity of Words as Music. .