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00000cam a2200000 i 4500 |
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in00004735632 |
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OCoLC |
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20230914203403.2 |
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221014t20232023iluab b 001 0 eng |
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|a 2022049648
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|a DLC
|e rda
|c DLC
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|a 9780252045158
|q hardcover
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|a 0252045157
|q hardcover
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|a 9780252087295
|q paperback
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|a 0252087291
|q paperback
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|z 9780252054525
|q electronic book
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|a (OCoLC)1345459716
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|a n-us-tx
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|a ML3531
|b .W548 2023
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082 |
0 |
0 |
|a 782.42164909764/1411
|2 23/eng/20221014
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100 |
1 |
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|a Wilkins, Langston Collin,
|e author.
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245 |
1 |
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|a Welcome 2 Houston :
|b hip hop heritage in Hustle Town /
|c Langston Collin Wilkins.
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|a Welcome to Houston
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264 |
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1 |
|a Urbana :
|b University of Illinois Press,
|c [2023].
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264 |
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4 |
|c ©2023.
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300 |
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|a viii, 180 pages :
|b illustrations, maps ;
|c 24 cm.
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336 |
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|a text
|b txt
|2 rdacontent
|
337 |
|
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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490 |
1 |
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|a African American music in global perspective
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504 |
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|a Includes bibliographical references and index.
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505 |
0 |
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|a If You Go Down to Houston -- Everybody Inherits the Hood -- Still Tippin' -- Gotta Come Down, Gotta Rep the Hood -- Turnin' Headz -- One City under God.
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520 |
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|a Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity and music in Houston's hip hop culture. Interviews with local rap artists, producers and managers inform an ethnography that explores how the interaction between artists, audiences, music and place create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avantgarde underground rappers and Christian hip hop artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area's hip hop-related car culture. What emerges is an incisive portrait of dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space. A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers an insider's look at a unique musical culture.
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650 |
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0 |
|a Rap (Music)
|z Texas
|z Houston
|x History and criticism.
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650 |
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0 |
|a Hip-hop
|z Texas
|z Houston
|x History.
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650 |
|
0 |
|a African Americans
|z Texas
|z Houston
|x Social life and customs.
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650 |
|
0 |
|a Automobiles
|x Customizing
|z Texas
|z Houston.
|
650 |
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0 |
|a Chopped and screwed (Music)
|x History and criticism.
|
830 |
|
0 |
|a African American music in global perspective.
|
945 |
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|b 786159
|
947 |
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|a A14852468439
|
948 |
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|a dmitchel 9/14/23 3.30.30
|
980 |
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|b print
|c 40031876038
|f NONFIC/B
|g 565714
|k USD
|m 88.00
|q 1
|s AcqMono Conventional
|t Approval plan
|u Vendor order reference number
|v ZYBP
|y Print approval
|z Physical resource
|
999 |
f |
f |
|i a5236892-926c-498c-919c-9a19df28cc4b
|s 7b2d0b02-717f-40e6-82a1-e6f99b210376
|t 0
|
952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e ML3531 .W548 2023
|h Library of Congress classification
|i unmediated -- volume
|m A14852468439
|
998 |
f |
f |
|a ML3531 .W548 2023
|t 0
|l Evans: Library Stacks
|