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|a 2024402087
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|a (OCoLC)on1395537057
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|a YDX
|b eng
|c DLC
|d BDX
|d ZVP
|d CIA
|d YDX
|d OCLCO
|d GSU
|d OCLCO
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|d CMA
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| 019 |
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|a 1395536218
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|a 9781032484334
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|a 1032484330
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|a 9781032484426
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|a 103248442X
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|z 9781003389088
|q electronic book
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|a (OCoLC)1395537057
|z (OCoLC)1395536218
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|a lccopycat
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|a f------
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|a N7380
|b .M42 2024
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| 082 |
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4 |
|a 709.6
|2 23/eng/20240325
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| 245 |
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|a Methodology, ideology and pedagogy of African art :
|b primitive to metamodern /
|c edited by Moyo Okediji.
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| 264 |
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1 |
|a New York ;
|a London :
|b Routledge, Taylor & Francis Group,
|c 2024.
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| 264 |
|
4 |
|c ©2024
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| 300 |
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|a xvii, 307 pages :
|b illustrations (some color) ;
|c 25 cm
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 336 |
|
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|a still image
|b sti
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|t Introduction. Metamodern studies of African art: traditions, innovations and interventions /
|r Moyo Okediji --
|g 1.
|t On the invention of "traditional" art /
|r John Picton --
|g 2.
|t Sensiotics or the study of the senses in material culture and history in Africa and beyond /
|r Henry John Drewal --
|g 3.
|t Dancing nkhoba: the flow of sound and healthy bodies in the West Usambara Mountains of Tanzania /
|r Marguerite E.H. Lenius --
|g 4.
|t African meanings, Western words /
|r Barry Hallen --
|g 5.
|t Chwuechology: indigenous African art education /
|r Akinyi Wadende --
|g 6.
|t Azande and Mangbetu artists as social critics in the Belgian Congo 1909-1915: what are the implications for contemporary artists and museums today? /
|r Nancy Pauly --
|g 7.
|t Cloth as metaphor in Egungun costumes /
|r Bolaji Campbell --
|g 8.
|t Conflict and peace: gender and spiritual dimensions of Egúngún performance /
|r Funmi Saliu Imaledo --
|g 9.
|t Ìbà fún obìnrin: monochromatic mythography of Yoruba female power /
|r Kehinde Adepegba --
|g 10.
|t Creativity and identity construction in contemporary Yoruba art /
|r Michael Olusegun Fajuyigbe --
|g 11.
|t African art, the Venice Biennale, and the politics of visibility /
|r Janine A. Sytsma --
|g 12.
|t The spirit of Fi Yi Yi and the Mandingo warriors: Africa in New Orleans /
|r Cynthia Becker --
|g 13.
|t Speaking into being: the resonance of empathy in the work of Elizabeth Catlett /
|r Melanie Anne Herzog --
|g 14.
|t Sacred spaces: Antonius Roberts and public sanctuaries /
|r Moyo Okediji --
|g 15.
|t Reflections and reminiscences revisited: indigenous knowledge systems, African-based worldviews, and cross-cultural diasporic connections /
|r Andrea E. Frohne --
|g 16.
|t Akwaaba/continuum: manifesto of an African artist /
|r Rikki Wemega-Kwawu --
|g 17.
|t Èṣù ẹlẹgba agency in the critical imagery of African American artist John Yancey /
|r Christopher Adejumo --
|g 18.
|t Toward a sonic African diasporic re-membering /
|r Jacqueline Cofield --
|t Addendum: Voices /
|r curated by Moyo Okediji.
|t Performing justice for everyday people /
|r Wura-Natasha Ogunji ;
|t Laser-focused /
|r Olu Oguibe ;
|t Curating contemporary African art /
|r Olabisi Silva ;
|t Writing African art /
|r Suzanne Blier.
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| 520 |
|
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|a "This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies"-- Provided by publisher,
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| 545 |
0 |
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|a Moyo Okediji is Professor of African Art History at the University of Texas at Austin, USA.
|
| 650 |
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0 |
|a Art, African
|x Study and teaching.
|
| 650 |
|
0 |
|a Art, African.
|
| 650 |
|
0 |
|a Arts
|z Africa.
|
| 650 |
|
6 |
|a Art africain
|x Étude et enseignement.
|
| 650 |
|
6 |
|a Art africain.
|
| 650 |
|
6 |
|a Arts
|z Afrique.
|
| 700 |
1 |
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|a Okediji, Moyosore B.
|q (Moyosore Benjamin),
|e editor,
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJmtFkxfjXYwy6dqy37PwC
|
| 700 |
1 |
|
|a Drewal, Henry John,
|e honoree,
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjMq8vCdPTkrk7PwVyt4YP
|
| 852 |
8 |
|
|b pda,print
|z This book is available in print for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item will take 5-10 business days to arrive.
|
| 955 |
|
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|a Print PDA title
|
| 961 |
|
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|m 565730
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| 999 |
f |
f |
|s e66155c7-73a4-4b82-9cde-da79ce7a9add
|i 1b80865a-6845-4d9e-ac1a-7ec0e40b23f9
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Purchase on Demand
|t 0
|e N7380 .M42 2024
|h Library of Congress classification
|
| 998 |
f |
f |
|a N7380 .M42 2024
|t 0
|l Purchase on Demand
|