|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00005518348 |
| 008 |
240327t20232023be acd b 001 0 eng d |
| 005 |
20250318223714.8 |
| 020 |
|
|
|a 9782503606194
|
| 020 |
|
|
|a 2503606199
|q (hardback)
|
| 035 |
|
|
|a (OCoLC)on1427941705
|
| 035 |
|
|
|a (OCoLC)1427941705
|
| 040 |
|
|
|a YDX
|b eng
|e rda
|c YDX
|d ERASA
|d DDO
|d OCLCO
|d QGK
|d CMA
|d DDO
|d OCLCO
|d JPG
|d TXKAM
|
| 043 |
|
|
|a e-be---
|
| 050 |
|
4 |
|a N5202.B4
|b M85 2023
|
| 082 |
0 |
4 |
|a 700-9492
|
| 100 |
1 |
|
|a Müller, Ulrike
|c (College teacher),
|e author.
|
| 245 |
1 |
0 |
|a Private collectors in Brussels, Antwerp and Ghent, ca. 1780-1914 :
|b between public relevance and personal pleasure /
|c Ulrike Müller.
|
| 264 |
|
1 |
|a Turnhout, Belgium :
|b Brepols,
|c [2023]
|
| 264 |
|
4 |
|c ©2023
|
| 300 |
|
|
|a 371 pages :
|b illustrations (chiefly color), charts, portraits ;
|c 29 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 336 |
|
|
|a still image
|b sti
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a XIX : studies in nineteenth-century art and visual culture ;
|v [9]
|
| 500 |
|
|
|a Series number from publisher's website.
|
| 504 |
|
|
|a Includes bibliographical references (pages 287-319) and index.
|
| 505 |
0 |
|
|a Introduction: Private collectors and the public sphere -- An elite cultural practice in an age of transition -- The Enlightenment and the persistence of noble collecting, ca. 1780-1860 -- Local historiography and Romantic imagination, ca. 1815-1880 -- The rise of Belgian art and its patrons, ca. 1830-1860 -- The amateur in an expanding art world, ca. 1850-1900 -- The cultural significance of the aesthete, ca. 1880-1914 -- The emancipation of female taste, ca. 1890-1914 -- Conclusions -- List of abbreviations -- Bibliography -- Appendix 1: Belgian and international travel guides and travelogues. Selected case studies (62 sources) -- Appendix 2: Private collectors cited in Belgian and international travel guides and travelogues (62 sources) -- Appendix 3: Art and amateur journals published in Brussels, Antwerp and Ghent. Selected case studies (4 journals) -- Appendix 4: Private collectors cited in art and amateur journals published in Brussels, Antwerp and Ghent (4 journals) -- Appendix 5: Database. Alphabetical list of private art and antique collectors ; Geographical-chronological list of private art and antique collectors.
|
| 520 |
|
|
|a "In the first half of the nineteenth century, Belgium was repeatedly praised as a country of collectors and amateurs, and private art and antique collectors were important and highly visible actors in urban cultural life. At a time when the public museum was still a relatively recent innovation, private collections were quite easily accessible for local and international visitors of the same social rank as the collectors. By the beginning of the twentieth century, however, the collector's position in the public sphere had changed dramatically. Private collections were less accessible to an ever-expanding and increasingly culture-consuming public, and functioned more strongly in the context of the personal and explicitly private aims and networks of their owners. This book uncovers the premises and reasons for private collectors' shifting public role and relevance in nineteenth-century Brussels, Antwerp and Ghent. It examines the specific social, cultural, political, artistic and material context of private collectors' activity. Its main focus is on three related issues: 1) collectors' social profiles and networks; 2) collectors' tastes; and 3) the function, accessibility, display and reception of the collections. Attention is also paid to the differences between Brussels, Antwerp and Ghent with regard to the urban collecting cultures. The book intends to further our understanding of the diverse ways in which private collectors interacted with the social, cultural and artistic life of their cities and what the collectors' changing relationship to the public sphere can tell us about broader shifts in nineteenth-century culture, art and society."--
|c Publisher's website.
|
| 650 |
|
0 |
|a Art, Belgian.
|
| 650 |
|
0 |
|a Art, European.
|
| 650 |
|
0 |
|a Art
|x Private collections
|z Belgium
|z Brussels.
|
| 650 |
|
0 |
|a Art
|x Private collections
|z Belgium
|z Antwerp.
|
| 650 |
|
0 |
|a Art
|x Private collections
|z Belgium
|z Ghent.
|
| 650 |
|
6 |
|a Art belge.
|
| 650 |
|
6 |
|a Art européen.
|
| 650 |
|
6 |
|a Art
|x Collections privées
|z Belgique
|z Bruxelles.
|
| 650 |
|
6 |
|a Art
|x Collections privées
|z Belgique
|z Anvers.
|
| 650 |
|
6 |
|a Art
|x Collections privées
|z Belgique
|z Gand.
|
| 830 |
|
0 |
|a Studies in nineteenth-century art and visual culture ;
|v 9.
|
| 852 |
8 |
|
|b pda,print
|z This title is available for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item may take 5-10 business days to arrive.
|
| 955 |
|
|
|a Print PDA title
|
| 961 |
|
|
|m 565730
|
| 999 |
f |
f |
|s 71dabfa2-bc82-465f-9bd8-0185a002d012
|i bf28ad07-00f9-4c3b-84a9-518067d955eb
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Purchase on Demand
|t 0
|e N5202.B4 M85 2023
|h Library of Congress classification
|
| 998 |
f |
f |
|a N5202.B4 M85 2023
|t 0
|l Purchase on Demand
|